I’m Not the Story Weaver.

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I am a writer. Consequently, my general outlook on life is a series of archetypes, themes, plots, summaries, critiques… there’s a lot of pre-writing and re-writing going on in my head, and there’s no switch to turn it off. All the world is a stage, you know.

But it’s the endings I’m not good at. I’m a total sap when it comes to endings. Mostly, I envision that the story actually comes to an end, a resolution. I often realize much further on in my writing and reading that this is a false assumption.

Lately, I’ve begun to wonder about our fascination with the fairy-tale ending. We began by expecting it, and now we’ve become disillusioned with it, naturally.

But where does the fallacy lie in “happily ever after”?

Is there no such thing as happiness?

Or have we made a bad habit of ending the story at the wrong part?

So the prince and the princess get married… and???  What comes after that? What exactly constitutes the “happily ever after”? A fairy-tale prince or princess would never be unfaithful to one another. The prince would never be a deadbeat dad. The princess would never become a bitter, self-conscious old woman that drives her prince and her children crazy. They would never lose the castle, the talking livestock, and the pumpkin carriage in a faulty investment. They would never bicker or become alcoholics or abuse their kids. They would never die of terminal illnesses.

And yet, here we are. We live in a dichotomy of pure joy and pure tragedy. We find love and we find hate. We can’t get rid of the evil stepsisters and the villains; quite often we are our own worst enemy. We make the best decisions we’ve ever made, and then we screw it up.

Maybe it’s the ambiguity of it, the elusive “happiness” that leaves us confused and frustrated and empty when we try to live in the “ever after.” The brokenness wasn’t supposed to happen, but it did, and we can’t see how it could ever be right again. We have no pre-text for what to do when we screw up, so the “happily ever after” plan is eradicated.

Or maybe it’s that we’ve totally abandoned the possibility of redemption.

I yearn for the easy answer, the redemptive ending. I wish I could tie the strings of all our loose ends together so that our lives would never unravel as they so often do. I keep finding myself trying to weave it all together, tightly, to make it mean something, to make our stories and our selves whole again.

I think it’s better if I just stop trying to rewrite the thing. Life is beautiful and gripping and horrific and triumphant and tragic enough on its own.

I’m not the Story-Weaver. I need to just keep reading.

On Remembering in the Twenty-First Century.

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As I turned to washed my hands in the third floor bathroom of my 1920′s Georgian mansion-turned-office building, I saw the most beautiful shadow I’ve ever noticed. Maybe an odd place to contemplate beauty and life, but nonetheless, I was fascinated as I watched the evening sun play with the leaves and the arch of the window.

I had the sudden, second-nature instinct to video it or snap a photo, to find a way to keep it forever. The quick darting movement of the branches and the light as they swung back and forth against each other reminded me of those moving photos people keep making now, those series of two or three photos that make it look like a stop-action illustration.
In an instant, I saw it: the reaction to a reaction to a reaction. Art that imitates life that imitates art that imitates life.
Sometimes I love technology and everything that we can do with it to capture the world we live in. Without photos, some memories, both the important and the mundane, would be lost forever. Without video, we might forget things like what a loved one’s voice sounds like, or the way your grandmother’s dining room looked with everyone gathered around it as you blew out your candles out on your third birthday. Those moments would die with us. They would flicker and disappear like a beautiful but rather nondescript early September day.
As a writer I’m repeatedly struck with the urge to write things down, to transcribe every moment, every thought, every conversation. I don’t want to lose it, this moment that feels so pivotal and poignant. I’m afraid that I’ll forget, and that all these things that seem so necessary will slip through my fingers and that I will reach the end, not knowing who I am or how I got here.
But if I have to record it for it to last, was it ever that important?
And what will happen to our perception of lives lived?
I fear that if I’m only blogging and tweeting and photographing and documenting the happy things, the funny things, that I’ll look back on life with a false sense of reality, believing that things were less painful than they really were. Or that I will be wracked with an unidentifiable emptiness and disconnect to periods of my life that were filled with hardship, because only half of it is visible.
In our flurry to document and text and tweet and Facebook and Instagram it all, maybe instead of creating a new facet of permanence to our lives, we are instead losing our ability to remember and forget naturally, to live independent of the collective conscious, to appreciate a fleeting moment for the bittersweet thing that it is.

I took the photo anyway.

book·ish : Women of Letters with Jane Flanagan

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A more perfectly bookish post, I may never publish. It’s all of my favorite things together: female authors, Etsy and Jane Flanagan of one of my daily must-reads: Ill Seen, Ill Said. In addition to sharing insightful thoughts and bits of inspiration, Jane owns the charming little webshop Coterie. Take a look at Jane’s curation of Etsy pieces, Women of Letters, a collection inspired by her favorite female writers including Jane Austen, Edith Wharton, Virginia Woolf and Flannery O’Connor.
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And I love her thoughts on incorporating a love for all things literary into daily life :

 

“And while it’s unlikely that any of us would adopt the style of these writers verbatim, I like the idea of including a little nod, in your home or your wardrobe, to a favourite writer, character or book.”

book·ish/ˈbo͝okiSH/Adjective
1. (of a person or way of life) Devoted to reading and studying rather than worldly interests.
2. (of language or writing) Literary in style or allusion.
3. (of art and all manner of lovely things) devoted to the written word as a form of art and as a way of seeing the world.
4. (of SheWritesandRights.blogspot.com) anything of the aforementioned characteristics as they are found on the interwebs and reposted by Bethany, because bookish and writerly things always give reason for amusement.*

The Shrinking Margin.

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If only there existed a magic button for my life, one that I could press to give me that time and space my mind needs to feel rested again. Today I find myself feeling cramped and small and crazed, oppressed by my insecurity. Oppressed by my inability to juggle and format and finish the things I need to do. Do you ever feel that way? This is how I’ve felt intermittently for the last few weeks.
Summer is my favorite season, because I feel an exuberance in the warmth of each day, an unquenchable need to celebrate life in all its green and flourishing glory. Each wedding, party, cook out, firework, each slice of watermelon and ice cold beverage wet with condensation is a joy to me. I don’t want it to end.

I don’t want to miss it.
And so I struggle in this paradox: in a season that I should celebrate and relax and enjoy the lengthened days, I find myself so overcommitted and busy that the days feel like they’re flying by without me. My calendar and my mind are so full that I have no space to breathe and enjoy it. I find myself living in the margins of my life, which are shrinking by the second.
It’s no wonder, then, that when I think about writing, I’m too worried about whatever else I should be doing to feel at peace with my creativity. For me, writing is a process of roaming through the recesses of thought and imagination, of exploration and rabbit holes and contemplative ideas. And I haven’t made time or space for that recently. So when I sit down to write, and I turn inward to my thoughts and feelings, what I find is a mess – much like the explosion of laundry that has barricaded the path from bed to my closet. Not an inspiring landscape to live in.
Perhaps a three day weekend to celebrate independence is as close as I will get to that magic time and space button, so long as I don’t try to cram it full of going and doing. I won’t be checking my email. I won’t be looking at the time. And I will try my hardest not to think about the coming work week or what Ithink someone else thinks I should be doing with my time.
It is my time. It is my life. No one else can create it for me.
Time to breathe. Time to think. Time to restore rest and writing for me.
To celebrate, here are a few links from around the www that have inspired me this week:
Why Todd Henry hopes to die empty.
Two recent sources of inspiration and motivation: Jeff Goins and Darrell Vesterfelt. A great quote from Jeff’s talk with Darrell about the inherent narcissism that comes with being a writer:
“Because writing is an internal act, as is any form of art. And the journey of looking inwardly to bring something out can sometimes be hindered. We can look inside ourselves and never get out.”
And after the concert I went to on Monday, I can’t stop listening to The Swell Season again.
For all my single ladies out there, keep believing. We have entered the era of The Return of the Nice Guy. Swoon.
Speaking of nice guys, I married one. Yes, this is a shameless, mushy plug for my music man Matthew Jason. I’m abundantly thankful that I married an artist, someone who understands the roller coaster ride of creativity in all its awkward, crying, mascara-streaked glory. [Obviously, we’re talking about me, here, not Matt. My husband does not wear mascara.] He lives to play his heart out, and he always inspires me to keep going. [Fan him on Facebook or follow him on Twitter. It would mean a lot to both of us.]
[Image found here.]